Culture is at the beginning and the end of development
(Léopold Sédar Senghor)
Published on 4 June 2011
Type:
Interview
The Millenium Film Festival in Brussels has a unique strength to inform and inspire people in Europe about the MDGs presenting them not as cold statistics but as real experiences
Close-up: Sophie de Caen has been the Director of the MDG Achievement Fund for the past three years and has more than 20 years of international development experience. Prior to the MDG-F, she was heading the UN System as the UN Resident Coordinator in Cameroon for three years. Additionally, Sophie de Caen has worked for the United Nations Development Programme in five other developing countries in Africa, Asia and the Arab States. She has also been Chief of Evaluation for the UN Capital Development Fund.
Ms De Caen, what programmes are financed by the MDG Achievement Fund and which are the focus countries?
The MDG Achievement Fund is an international cooperation mechanism that aims to accelerate progress on the Millennium Development Goals (MDGs) worldwide. It is funded by the Government of Spain and managed by the United Nations Development Programme. The Fund philosophy is to create synergies from different actors to ensure more impact of development projects on the life of poor people.
We are proud to have funded more than one hundred joint programmes in 50 countries across the world, all focused on the MDGs. An interesting example was that in Ecuador where we helped national partners in formulating a Plan against Racism that drove to the elaboration of a Presidential Decree and to the design of a new law to better coordinate the national and native justice systems.
Do you find any direct role of culture in fostering sustainable development globally? A big part of the world is still suffering from poverty, famine, diseases…
There is no doubt that culture is an important element in development. A recent report funded by the MDG-F on MDGs and Inequalities, illustrates, for example, the indissoluble link between inequalities and cultural and ethnic discrimination. Groups can be excluded from getting the basic social services such as education and health simply because of their ethnic background. But culture and development doesn't mean only fight against social exclusion.
Cultural activities can also be related to business and can generate revenues and economic growth. As an example, the project we ran in support of the Miao ethnic community in the Guizhou province of China proved how communities that received training to improve their cultural businesses could enormously increase their ability to create new jobs and prosperity.
We believe so strongly in the link between culture and development that we have decided to support 18 joint programmes primarily focused on the thematic area of culture and development, and we have ensured each of our programmes includes activities related to those issues.
We are, therefore, pleased to see that this year's edition of the Millenium International Documentary Film Festival, which we proudly support, will screen several movies that touch upon this delicate link.
In a time of austerity culture and the creative industries are among the first victims when it comes to cutting budgets. Is this indeed the right approach and what consequences can it have in the future?
You are right, indeed. Unfortunately, economic crises affected mostly cultural activities. We believe that it is a mistake caused by both a lack of vision and a lack of analysis. As I have already mentioned, it is important to state and show with facts how cultural industries can not only have a positive impact on social inclusion but also can be profitable and generate sustainable economic growth.
How did the idea the MDG Fund to support the Millenium Film Festival that takes place June 8-14 in Brussels spring up?
The MDG-F philosophy is working together with other UN agencies and its local partners to achieve the MDGs. MDGs also need a great popular awareness and support. The idea of the festival is addressing this need, and aims at enlarging the MDGs support constituency especially in developed countries.
The idea of the Festival was presented to us by the UN/UNDP Office in Brussels. We found that it fitted in very nicely with the priorities of the MDG Achievement Fund. The festival has a unique strength to inform and inspire people in Europe about the MDGs presenting them not as cold statistics but as real experiences.
To understand the MDGs, people need to feel what they mean, they have to put themselves in the shoes of the people struggling for survival and dignity or to find creative solutions to improve their lives. What makes this Festival so special is the fact that it is a powerful tool to advocate for the MDGs in the often underdeveloped countries where the films screened during the week-long Festival have been shot.
How can the Festival help for the better understanding of the MDGs and what is the most impressive thing in this year's programme?
First and foremost, the Festival encourages film makers from developing countries to submit films on the MDGs. The MDG-F would like to see these films take on a greater role of advocating for the MDGs in each country of origin. Additionally, we are pleased that the Festival garners such media attention in Europe. Given the current economic internal priorities, some European governments are tempted to decrease attention to the achievements of the MDGs.
For that reason it is crucial to get people involved and send the message that MDGs are still achievable but only if they are given continued priority attention and political commitment and if everyone feels involved. And that is exactly the message that the Festival sends to its audience. The whole programme of the Festival is very impressive. There are a lot of films showing how personal engagement could really change things and contribute to build a fairer and more sustainable world. We particularly appreciate that the Festival will also be screening the film Fate, financed by the MDG-F, about the 2010 elections in Bosnia and Herzegovina.
Europe is now to adopt its first ever Roma strategy. What's your opinion, can the social and economic inclusion of this ethnic group be made easier and more fluent by using the cultural tools?
Of course, yes. As I already said, culture and development programmes are crucial to improve economical inclusion and social justice. As an example, in Serbia, a country with a 45% unemployment rate among youth, the MDG-F financed a youth employment programme that provided training most particularly to Roma, women and disabled. The results have been astonishing: over 3,000 young people were trained resulting, so far, in over 400 getting employment and 140 starting their own businesses. Advertisement for the employment centers and training materials took account of the target group including Roma and this has been a major part of their success.
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